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P.63~68 : ¡°¡¦¡¦´«Àº ³ì°í ÀÖ¾ú¾î¿ä. ±×·¯ÀÚ ´«ÀÌ ½×ÀÌÁö ¾ÊÀº °÷À» °É¾îº¸°í ½Í´Ù´Â »ý°¢ÀÌ µé´õ±º¿ä. ³»°¡ ¸Ó¹«´Â ³»³» ´«ÀÌ ¿Ô¾úÀݾƿä. Çѱ¹ÀÌ ´«À¸·Î¸¸ µ¤ÀÎ °÷À̶ó´Â ±â¾ïÀ» °¡Áö°í µ¹¾Æ°¡´Â °Ç ¾î¾Áö ¾Æ½¬¿ï °Í °°¾Ò°Åµç¿ä. ´«Àº ³»°¡ »ç´Â °÷¿¡µµ ¸¹À¸´Ï±î¿ä. ±×·¡¼ ³ ±×³É, ¹«ÀÛÁ¤ °Å¸®¸¦ °É¾ú´ä´Ï´Ù.¡± ¸¶¸®´Â Èñ¹ÌÇÏ°Ô ¿ôÀ½À» Áö¾ú´Ù. ¡¦¡¦ ¡°¿ø·¡ ³ª´Â 1¿ù¿¡ ¿À±â·Î Çß¾úÁÒ. ±×·±µ¥ ¸»ÀÌÁÒ¡¦¡¦.¡± ¸¶¸®°¡ Àá±ñ ¸»À» ¸ØÃß´õ´Ï ¼Ó»èÀÌµí ¸»Çß´Ù. ¡°¡¦¡¦±×³É ³ª´Â ±×¶§, ¿Ã ¼ö°¡ ¾ø¾ú´ä´Ï´Ù.¡± ±×¸®°í ±×³à´Â ¿©·¯ Â÷·Ê ª°Ô ¼ûÀ» ½¬¾ú°í ³ª´Â ±×³à°¡ ¿ïÀ½À» Âü°í ÀÖ´Ù´Â °É ¾Ë ¼ö ÀÖ¾ú´Ù. ¸¶¸®´Â ¿À·§µ¿¾È È£ÈíÀ» °¡´Ùµë¾ú°í ³ª´Â ÀáÀÚÄÚ ±â´Ù·ÁÁÖ¾ú´Ù.
¡°¡¦¡¦Snow was melt-ing. I thought, I want to walk where there is no snow. It snowed the whole time I was in Korea. I thought it would be too bad if I went back to Fin-land only with memories of snow in Korea. There is much snow where I live. So I walked around.¡± Marie smiled faintly. ¡¦¡¦ ¡°I was going to visit in January.¡± Marie paused, then continued in a whisper, ¡°But I just¡¦ I couldn¡¯t.¡± She took a few short breaths in succession and I realized she was trying to hold back her tears. She took her time gathering herself, and I waited.
-¡¸4¿ùÀÇ ´«¡¹
P.75~77 : °¡²û¾¿ ¿ì¸®´Â Çö½ÇÀ» °¡¸®°Å³ª µ¤´Â ³¸¼± Á¸À糪 ³¸¼± Á¤°æÀ» ¸ÂÀÌÇÏ°ï ÇÕ´Ï´Ù. ±× ¹Ø¿¡ µµ»ç¸®°í ÀÖ´Â ÀÏ»óÀº Àá±ñ ȯ±âµÇ°Å³ª ÀØÈ÷Áö¸¸ ½Ç»óÀº ±×´ë·Î Á¸ÀçÇÏ°í ÀÖÁÒ. ±×·¯³ª Çö½ÇÀ» µ¤°í ÀÖ´ø À帷ÀÌ »ç¶óÁø´Ù°í Çؼ ÀÏ»óÀÌ Àü°ú ¿ÏÀüÈ÷ °°Àº ¸ð½ÀÀ¸·Î ÀçÇöµÇÁö´Â ¾Ê½À´Ï´Ù. ¹«¾ð°¡´Â õõÈ÷ ¹Ù²î±â ¸¶·ÃÀ̴ϱî¿ä. °Ñ¸ð½Àµµ ¸¶À½µµ »ç¶÷µéÀÇ °ü°èµµ Á¶±Ý¾¿Àº ´Þ¶óÁ® ÀÖ½À´Ï´Ù. ³ì´Â ´«Ã³·³, °èÀýÀÇ º¯Èó·³ ¸»ÀÌÁÒ.
We sometimes come across strange beings or unfamiliar scenes that conceal our reality. The daily life that lies in wait under a veil is unseen or forgotten for a while, although it is there all the same. But our everyday life will not be the same again when the veil is lifted. Sometimes always changes, although slowly. Appearances, emotions, and relationships are altered slightly, the way melting snow and the turn of the seasons change things.
-¡¸4¿ùÀÇ ´«¡¹ (âÀÛ ³ëÆ® Áß¿¡¼ From Writer¡¯s Note)
P.92~93 : ÂüȤÇÑ °íÅë ¾È¿¡ ÀẹÇØ ÀÖ´Â À¯ÀÏÇÑ ´ÙÇàÀº, ±×°ÍÀ» °¡Áø À̵éÀÌ ÀڽŰú ´àÀº ŸÀÎÀÇ ¸¶À½ÀÇ ¹«´Ì¸¦ Çì¾Æ¸± ¼ö ÀÖ°Ô µÈ´Ù´Â Á¡¿¡ ÀÖ½À´Ï´Ù. °íÅëÀ» ¾ð¾î »ïÀº °ø°¨¿¡´Â ¾î¶² ¹ø¿ªµµ ÇÊ¿äÄ¡ ¾Ê½À´Ï´Ù. ±¹°æµµ ¼ºº°µµ ³ªÀ̵µ °¡·ÎÁú·¯¹ö¸®´Â À½¾Çó·³, Ããó·³ °íÅë¿¡¼ ºñ·ÔµÈ À§·Î´Â ¹Ìó ¹ß¼³µÇÁö ¾Ê¾Æµµ ¼·Î ¾È¿¡ ½º¸çµé ¼ö ÀÖ½À´Ï´Ù. ¿¹ÄÁ´ë ´ç½ÅÀÌ ´ç½Å°ú °°Àº º´À» ¾Î´Â ³ª¸¦ ¸¸³ª ¾Æ¹« ¸» ÇÏÁö ¾Ê°íµµ ¼·ÎÀÇ °íÅëÀ» ´À³¢´Â °Íó·³.
The only real relief, lying dormant in harrowing pain, is that it gives us some insight into the veins and currents that flow inside the heart of someone with a similar grief. Empathy that speaks in the language of pain needs no interpreter. As music and dance can remove barriers between different people of countries, so compassion born of pain can reach another without words. Just as if you meet someone who is ailing in the same way as you, both of you can feel each other¡¯s pain without say-ing anything.
-¡¸4¿ùÀÇ ´«¡¹ (Çؼ³ Áß¿¡¼ From Commentary)
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